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The European Roma Institute for Arts and Culture (ERIAC) is proud to present Emília Rigová: And the One Doesn’t Stir without the Other, curated by Timea Junghaus, an official Roma exhibition at the 23rd Triennale Milano International Exhibition, entitled Unknown Unknowns: An Introduction to Mysteries. The exhibition comprises installation, video, photography, found objects, and a community art project....

At documenta fifteen, five massive swallow’s nests have appeared on the façade of the Fridericianum. Emerging from its walls between the engaged columns of its southeastern wing, the rough surfaces and organic forms of the five polymer structures that comprise Sead Kazanxhiu’s The Nest at once challenge and compliment the Fridericianum’s neoclassical monumentality. These nests...

With Roma Rajni: RomaMoMA Library featuring Daniel Baker and Farija Mehmeti, ERIAC brings together the painterly oeuvre of Farija Mehmeti and the RomaMoMA Library at the National Library of Kosovo. The RomaMoMA Library was created in 2021 to commemorate the fiftieth anniversary of the First World Romani Congress. It is dynamic and nomadic, engaging with...

it matters what worlds world worlds. how to tell stories otherwise… Manifesta 14 Western Balkans Expert Talk 16 May 2022 The 14th edition of Manifesta, the European Nomadic Biennial, will take place from 22 July until 30 October 2022 in Prishtina, Kosovo. Organised for the occasion of the biennial, Manifesta 14 has set up the...

Sead Kazanxhiu is one of the most engaged protagonists of the contemporary Albanian art scene. His artworks are dedicated to the culture, problems and the status of the Roma community from which he originates. Sead’s activist and artistic practice are in symbiosis with the broader struggle for the awareness of the significance of Romani culture,...

We have relied on our own archives, our own transgenerational sharing of knowledge, our own pedagogies of practice. The beauty that we share with the world, the ways that we teach, learn, and thrive, have been built by us, for each other—and, yes, for you. We have healed each other, and, through our fortune-telling, our...

The European Roma Institute for Arts and Culture (ERIAC) presents Emília Rigová: And the One Doesn’t Stir without the Other, curated by Timea Junghaus, an official Roma exhibition at the 23rd Triennale Milano International Exhibition. The exhibition comprises installation, video, photography, found objects, and a community art project. At the centre is the altar honouring the oeuvre, career, and...

Join ERIAC and be part of the vibrant community of the European Roma arts and culture scene by filling in the online application form. The European Roma Institute for Arts and Culture – ERIAC is a membership-based organization, bringing together Roma and non-Roma individuals and organizations, with relevant and demonstrated competencies and experience in the...

RomaMoMA is a transnational, collaborative and discursive art project of the European Roma Institute of Arts and Culture (ERIAC) and OFF-Biennale Budapest. In Kassel, the group exhibition, One Day We Shall Celebrate Again: RomaMoMA at documenta fifteen, showcases artworks in relation to the idea, question, and (im)possibilities of a “RomaMoMA” (Roma Museum of Contemporary Art). How can...

There are certain key impulses that inspire the work that the Slovak-Roma artist Emília Rigová (*1980) has produced up till now, and which guide her creative trajectory. First and most crucial is the emergence of her alter ego, Bári Raklóri (bári = big, raklóri = daughter of non-Roma parents), which has become a leitmotif of her...

On 16 May 2022, Romani communities across Europe will come together to mark the 78th anniversary of the Romani Uprising in Auschwitz. On that day in 1944, Roma prisoners of the so-called Zigeunerlager at the Auschwitz-Birkenau concentration camp, having heard of the imminent liquidation of the camp, stood up against the Nazi guards armed with only hammers, pickaxes and shovels. As a result...

This year marks five years since the passing of the prominent American art historian, Linda Nochlin, who became world renowned for her 1971 ground-breaking article, “Why Have There Been No Great Women Artists?”[1] Unfortunately, Nochlin will not bear witness to this year’s 59th International Art Exhibition Venice Biennale[2] that promises to be a ground-breaking long-overdue...

it matters what worlds world worlds. how to tell stories otherwise… Manifesta 14 Western Balkans Expert Talk 16 May 2022 The 14th Edition of Manifesta, the European Nomadic Biennial, will take place from 22 July until 30 October 2022 in Prishtina, Kosovo. Organised for the occasion of the biennial, Manifesta 14 has set up the...

Daniel Baker’s preoccupation with the contingent nature of Roma material culture is highlighted in the conceptual artwork Getaway, an installation designed to occupy the public square at the entrance to Eugen Raportoru: The Abduction from Seraglio, & Roma Women: Performative Strategies of Resistance, at Biennale Arte 2022. Getaway is defined as: an act or instance of...

Over the course of the 127 year long history of the Biennale, the exhibition commissioned by ERIAC for the 59th International Art Exhibition is only the fourth occasion when a presence of Roma art is ensured. The current cultural underrepresentation of work made by Roma coupled with the continuing stereotypical representation of Roma by non-Roma...

Interview with Wojciech Szymański and Joanna Warsza, co-curators of Małgorzata Mirga-Tas’s exhibition in the Polish Pavilion at the 59th Venice Biennale. What is the exhibition concept and the journey behind it? Wojciech Szymański: The concept for the exhibition Re-Enchanting the World was born late last summer. On the one hand, with its title, the exhibition refers...

Following the outbreak of the war in Ukraine and the mass exodus of refugees, the European Roma Institute for Arts and Culture – ERIAC has taken immediate action to document the experiences of Roma refugees from Ukraine and the work of Roma organizations and activists in response to the humanitarian crisis. In order to record and document the...

Re-enchanting the World – a conversation with Małgorzata Mirga-Tas, the artist representing Poland at the 59th International Art Exhibition Your monumental work in the Polish Pavilion refers to the famous “calendar” cycle of frescoes from the Renaissance Palazzo Schifanoia in Ferrara, Italy. How was the idea for this project born? MMT: The project is an...