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The Pakiv Board is the highest-organ of ERIAC. The Board oversees the work of ERIAC, safeguards its values and approves the financial and activity plans.
The members of the Pakiv Board are nominated by ERIAC’s founders: the Secretary General of the Council of Europe (one member), the Open Society Institute (one member) and the Alliance pour l’Institut Rom Européenne pour les Arts et la Culture (one member). Further two members have been nominated by the Barvalipe Academy on their first meeting.
Zeljko Jovanovic is the director of the Open Society Roma Initiatives Office, which supports the voices and leadership of Roma in making their power felt in the policy-making arena. Jovanovic comes from a family of Roma ethnic background which, through a belief in hard work, self-determination, and education, moved from multi-generational extreme poverty to the middle class in Serbia. Before joining the Open Society Foundations in 2006, he worked for the Organization for Security and Cooperation in Europe on elections and public policy and for Catholic Relief Services on civil society development. He also has established and led a local Roma organization and community radio programming, as well as volunteered for Roma political parties and protested for democracy during the Milosevic regime in Serbia. He has also trained and mentored non-profit managers, advocates, and leaders internationally. Jovanovic has degrees in law from the University of Belgrade and in public policy from the University of Oxford. He also completed the Executive Education Program on Strategic Management at Harvard University. He is a member of the Aspen Institute network.
Ms. Snežana Samardžić-Marković has been the Director General of Democracy at the Council of Europe since 2012, in charge of the Organisation’s actions promoting democratic innovation, governance, participation, and diversity. Her responsibilities include the policy areas of education and youth, local democracy, cultural policies, election assistance, the protection of human dignity, gender equality, children’s rights, and the rights of minorities, work against discrimination, democratic citizenship, and democratic responses to crisis situations. Previously, Snežana has held numerous positions in the Serbian Government including as Deputy Director in the Ministry of Foreign Affairs for Neighbouring Countries, Assistant Minister of Defence (2005-2007) and Co-President of the Serbia-NATO Defence Reform Group, member of the Foundation Board of WADA, Minister of Youth and Sports (2007-2012), and President of the Fund for Young Talents.
Gilda-Nancy Horvath is an artist, journalist, project manager, and communications consultant. She started her career in grassroots projects for the Romani community in Vienna, Austria. Soon after, she started working for the Austrian Public National Broadcaster ORF. She has also written numerous articles for the Romani cause and worked with many international projects connected to Romani activism, art, and politics. After 10 years in front of and behind the camera at ORF, she started educating and qualifying young Romani people in her project: “romblog.at,” where she is the Editor-In-Chief. She is also the co-founder of a record label for Romani music, fatherandbastards.com. Since 2013, she is a member of the Romani Dialogue Platform of the Federal Chancellery of Austria, consulting and discussing the implementation of #RomaStrategy2020.
Nancy Black is the artist alter ego of Gilda Horvath and produced her first song in December 2016, after being threatened by people who had spread false information about Roma in the media; they claimed that all Roma in Austria would give their support to the far-right candidate at the Presidential Elections in Austria on 04 December 2016. Horvath protested against this kind of manipulation and became a target of hate speech and defamation after that. Her rasping “Trushula” was a clear answer; this was the day Nancy Black was born. Nancy Black also produces video mixes, video installations, and digital/visual art and writing texts and poetry with a strong connection to the language Romanes and the situation of Romani people.
Dr. Iulius Rostas was the Chair of Romani Studies/Assistant Professor at Central European University in Budapest. He was an Affiliated Fellow with the Institute for Advanced Studies at CEU, Senior Fellow with the Open Society Foundations Roma Initiatives Office, and Visiting Lecturer at Corvinus University of Budapest. He has worked for the Open Society Foundations, the European Roma Rights Center, and the Government of Romania, and has consulted for the Organisation for Security and Cooperation in Europe, the World Bank, the European Commission, and the Roma Education Fund. Dr. Rostas is the editor of “Ten Years After: A History of Roma School Desegregation in Central and Eastern Europe” (CEU Press, 2012) and in 2011 he published “Social Inclusion or Exclusion: the Rights of Persons Living with HIV in Moldova” (Cartier Publishing, 2011). He published articles and book chapters on Roma participation, Romani identity, Roma school desegregation, the Romani movement, and civil society.
Sead Kazanxhiu is a visual artist from southwest Albania. He was trained as a painter at the University of Arts in Tirana (2006 – 2010), where he obtained his bachelor’s degree. Kazanxhiu comes from a family of Roma ethnic minority. This fact has profoundly shaped his childhood years in Baltez, a village nearby Fier, where he was raised in an environment sensitive to social and cultural inequalities. In a community well aware of hierarchical structures and un-privileged positions within a nation-state, the very condition of being an Albanian Roma citizen turned out to be a determining factor for Kazanxhiu’s status of an artist as well as for his overall cultural practice so far. Thus, it comes as no surprise that the issues of prejudice, exclusion, discrimination, and racism have taken center stage both in his artistic and activist work. His uncompromising position with regard to unfair treatment of Roma ethnic group presents but a platform to voice individual dissent about the racially biased dynamics that, unfortunately, continues to shape contemporary European worldviews – on a daily basis, inside and outside of official political arenas. In this sense, his image-making contributes to positive efforts of a single artist to restore the dignity of a community forcefully and unjustly cornered at the outskirts of European democracy. Kazanxhiu is also the founder of STHAN Cultural Centre, and currently, he is following the Albanian School of Political Studies.
The day-to-day operations, as well as ERIAC’s office in Berlin, are run by an international team of experienced, professional and dedicated staff members.
Tímea Junghaus is an art historian and contemporary art curator. She started in the position of Executive Director of the European Roma Institute for Arts and Culture in September 2017. Previously, Junghaus was Research Fellow of the Working Group for Critical Theories at the Institute for Art History at the Hungarian Academy of Sciences (2010-2017). She has researched and published extensively on the conjunctions of modern and contemporary art with critical theory, with particular reference to issues of cultural difference, colonialism, and minority representation. She is completing her Ph.D. studies in Cultural Theory at the Eötvös Lóránd University, Budapest.
In recognition of her curatorial activities, Junghaus received the Kairos – European Cultural Price from the Alfred Toepfer Stiftung F.V.S., in 2008. Her curatorial works include the Roma component of the Hidden Holocaust- exhibition in the Budapest Kunsthalle (2004), Paradise Lost – the First Roma Pavilion at the 52nd Venice Contemporary Art Biennale (2007), the Archive and Scholarly Conference on Roma Hiphop (2010), The Romani Elders and the Public Intervention for the Unfinished Memorial to the Sinti and Roma Murdered Under the National Socialist Regime in the frame of the 7th Berlin Biennale (2012), the (Re-)Conceptualizing Roma Resistance – exhibition and education program in Hellerau, Dresden (2015) and the Goethe Institute, Prague (2016). She is the curator of the Visual Arts Section for RomArchive – Digital Archive of the Roma, funded by Kulturstiftung des Bundes (2015-2018).
Junghaus was the founding director of Gallery8 – Roma Contemporary Art Space (www.gallery8.org) in Budapest (2013-2017), the winner of the 2014 Catalyst Contemporary Art Award (of Tranzit Hungary) and the 2014 Otto Pankok Prize awarded by the For Roma Foundation of German writer and Literary Nobel Laureate, Günter Grass
Dr. Anna Mirga-Kruszelnicka is an anthropologist and Roma activist, born in 1985 in Cracow/Poland. She earned her Ph.D. in Social and Cultural Anthropology at the Universitat Autònoma de Barcelona (UAB) in 2016. She holds an MA in European Integration from UAB and an MA in Comparative Studies of Civilizations from the Jagiellonian University in Cracow (UJ). She is the author of policy evaluations, reports, and articles, and is the co-editor of the book Education for Remembrance of the Roma Genocide: Scholarship, Commemoration and the Role of Youth (Libron, 2015).
She has been an employee, member, founder, and collaborator of numerous Roma organizations in Poland and Spain. From 2008 to 2012 she was the European project coordinator at the Federation of Roma Associations in Catalonia (FAGIC). From 2013 to 2015 she was an Open Society Foundations Roma Initiatives Fellow, conducting a comparative study of the Roma associative movements in various countries of Latin America and Europe. From 2015 to 2017 she was the coordinator and curator of the Academic Section (aka. Roma Civil Rights Movement Section) in the RomArchive – Digital Archive of the Roma. Between 2017-2018 she was a Post-Doctoral Research Fellow of the Romani Studies Program at the Central European University (CEU) in Budapest.
After growing up in Budapest, Zsófia Bihari moved to Berlin and earned a Bachelor Degree at Humboldt University in Cultural History and Theory (2013-2017). During these years she worked as a freelancer in the field of the non-formal historical education. 2016-2018 Zsófia was a research assistant at Humboldt University focusing on Diaspora Studies. She is currently finishing her studies at the Freie University’s Eastern European Studies Master Program. As project coordinator at ERIAC she was responsible for the coordination of the FUTUROMA exhibition at the 58th La Biennale di Venezia and other international activities of ERIAC.
As an activist and social scientist, Joanna Khandjieva has taken part in several, mainly educational projects in Hungary and India. Born in Sofia, grown up in Budapest, and living in Berlin, she can easily relate to the trans-national initiative of ERIAC to bring people together. Up until now, the focus of her work has been primarily the support and empowerment of so-called peripheral communities. She has worked with Roma communities in North-Eastern Hungary and is currently coordinating a project in the Indian Himalayas. She moved to Berlin to pursue her studies in Social and Cultural Anthropology, with a focus of inter-cultural cooperation and post-colonial power relations all over the globe. As a project assistant for the ERIAC team, she is supporting the team with her administrative experience and inter-cultural vision, while learning about as well as enjoying the results of the outstanding and empowering cultural and social achievements of the Romani communities and individuals.
Prior to his engagement with ERIAC, Almir Huseini contributed to the UN-International labor organization (ILO-DWT/CO), European Centre for Minority Issues, UNICEF, and UNCHR in Serbia in the capacity of a consultant, researcher/evaluator, educational social worker, implementing projects involving a high level of coordination and networking as well as intensive communication and cooperation with different stakeholders on the local, national, and international level in the Central and Eastern European (CEE) region with various social and political actors. As a Roma person, he invested his interest in the protection and promotion of Roma rights and culture and those were the main reasons to study Sociology, participate in Romani Studies Program (RSP) and graduate in Public Policy at the Central European University.
Born and raised in Cluj (Romania), she studied design at the local art university, then completed her master’s degree in art and design management at the Moholy-Nagy University in Budapest (Hungary). She worked as a curator in Gallery8 Budapest, as a content manager for RomArchive, and as project manager for youth and cultural organizations in Cluj. Founder and initiator of various local and international projects, such as Calabalac, Blokkgallery, Lungs of Europe. Currently she is the coordinator of the ERIAC Roma Cultural History Initiative.
Eglantina graduated with a degree in Finance Banking from the European University of Tirana, Albania. Eglantina also finished one of the Roma preparatory programs with the support of Romani Studies Program, at the Central European University in Budapest. During her studies in Albania she was exposed and volunteer through different Roma NGOs, mostly at the Institute of Romani Culture in Albania, which inspired her to join the European Roma Institute for Arts and Culture. As a Roma woman at ERIAC, she is excited to support and learn how Roma women are expressing, engaging, protecting, and promoting their knowledge and culture through arts in a contemporary sense.
She moved from Menorca (Spain) to Barcelona to study Advertising and Public Relations (UB). In 2018, she went for an international exchange at the Universidad San Martín de Porres in Lima (Peru), after that she travelled during half a year with a backpack around Peru and Colombia volunteering also in a project in the Peruvian Amazon rainforest.
In April 2019 she moved to Berlin, she has been working and studying German until she enrolled ERIAC in February 2020. Andrea wants do develop her knowledge on the field of Cultural Management, that’s why she will start in the next months a Master of International Culture Cooperation and Management.
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