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OPEN CALL: Caricature Competition for Artists of Roma Origin

 

 

*CLICK HERE FOR CALL IN: ALBANIAN, CATALAN, CROATIAN, GERMAN, ITALIAN, RUSSIAN, SLOVAK, SPANISH and UKRAINIAN

 

To commemorate the uprising in the Auschwitz concentration camp on 16 May 1944, on Romani Resistance Day, the
European Roma Institute for Arts and Culture (ERIAC) announces an international competition for Roma visual artists,
graphic designers, cartoonists, and talented individuals to submit their political drawings, cartoons and caricatures. We
welcome proposals that engage directly with satirizing political subjects, criticise current or past political events, or express
a certain socio-political phenomenon in a humorous way.


A jury of contemporary artists, curators and media experts will determine the 10 artists selected for the final exhibition. The
artists will be invited to present their work at the exhibition in ERIAC Berlin and will each receive a 300 Euro prize. The
selected artists will be expected to send the original graphic materials/ drawings (A4 size) to the ERIAC Berlin office by 1
May 2021.


We are seeking drawings, sketches, and graphics with the potential to convincingly argue for a political cause, with a
humorous, satirical and socio-political message. We are thinking of strong visuality engaging with the complexity of the
relationship between governments and Roma, Europe, minority and majority societies, European democracies, the
development of Roma self-determination, press freedom, Roma demography, the upcoming Census, or any other political
aspects of contemporary Roma life.

 


ELIGIBILITY

Artists of self-declared Roma origin


HOW TO APPLY

Please submit your artwork, artist statement and your short bio as a file, by email. Applications should
be written in English and sent to
eriac@eriac.org in one email not larger than 2 MB. Please write “Caricature Competition”
in the subject line of the email.


MEMBERS OF THE JURY

Emília Rigová (contemporary artist, Barvalipe Academy member, head of Roma Arts and Culture Department at University
of Matej Bel in Slovakia)
Lela Savic (founding editor of La Converse and Svato, the Quebec chapter lead of Canadian Journalists of Colour )
Jake Bowers (British Romani journalist, producer, media teacher and filmmaker)


TIMELINE

Application Deadline: 6 April 2021
Winners announced: 19 April 2021
Selected artworks to be sent to ERIAC for the exhibition: by 1 May 2021
Exhibition opening: Monday, 16 May 2021

 

 


On the History of Political Caricature


The first prototype of caricatures can be found in ancient Greece, where gods were seen as subjects rather than political
leaders. The genre had its earliest beginnings in late Mediaeval Italy, where a number of discontented people began to
ridicule the upper classes of the aristocracy. The first political caricatures appeared at the beginning of the 18th century,
when the English painter William Hogarth started to combine criticism of social phenomena with consistent artistic scenes in
his works; in particular, his satire often concerned corruption in British politics. Hogarth’s most famous caricature was the
Emblematical Print on the South Sea Scheme (1721), depicting the stock market crash in which many British people lost
money. Political caricature developed significantly during the French Revolution (1789-1799), when James Gillray and
Thomas Rowlandson depicted in a crude manner the revolutionary activists, King George III and Napoleon I. The genre was
further developed with the appearance of the satirical magazine,
Punch, established in 1841, that published many political
caricatures. One of the most famous was
The Goose-Step (1936), about the armaments build-up in Nazi Germany under
Hitler. Since the mid-19th century, political caricature had become an attribute of most major European newspapers. This
can be explained by the increasing complexity of the relationship between government and society, democratisation, and the
development of press freedom. Nowadays, the genre is used ubiquitously in the modern digital world to criticise political
regimes and personages, and to establish a dialogue that will trigger a change. In the Roma context, the genre of political
caricature has a potential to raise awareness to socio-political issues, and to put forward important messages related to the
political aspects of contemporary Roma life in a humorous and satirical way.