In 2022, at the fifteenth edition of documenta in Kassel, I witnessed an interesting conversation between two visitors standing in front of a large-scale and impressive work by Tamás Péli. ‘Péli studied at the Koninklijke Academie van Beeldende Kunsten in The Hague,’ one of the two women read out from the label. The other immediately … Continue reading Painting Back: Decolonization Through Art